Edgefield pottery marks

Storage jar, Trapp and Chandler Pottery, Edgefield District, South Carolina, 1848–1850. Alkaline-glazed stoneware. H. 11 1/2". Impressed mark: “TRAPP & CHANDLER” (Courtesy, L. C. Lynch; photo, Jan Todd.) By 1848 Chandler was using draped lines with loops beneath, in iron or kaolin slip, as his primary decorative motif.

Edgefield pottery marks. MT. PLEASANT, S.C. - South Carolina historian, Carlee Thomas McClendon, died peacefully on his seventieth birthday, August 15, 2010. Known for his love of Edgefield, he authored numerous articles ...

Figure 1. Figure 2. The maker of the alkaline-glazed stoneware tombstones, a Black potter named Fortune Justice, was born about 1856 in present-day Aiken County, South Carolina. In 1880, he was living with fellow potters near Shaws Creek where John W. Seigler owned a stoneware factory.

A stacker jug from the Edgefield Pottery Collection. This jug was made in the late 1800s by Mark Baynham, son of J.G. Baynham. The Baynhams operated a pottery manufacturing company which produced all kinds of stoneware jugs. Mark Baynham worked under his father in the facility until he left to fight in the Spanish-American War (1898). After returning, he started his own pottery business in ...Grouping of Edgefield Pottery. 1st item: Edgefield alkaline glazed jar, possibly slave made, crescent strap handles and two hash marks to the base, denoting two gallon capacity. 12 1/2" H. 2nd item: E ... (1800-1870?) 2gal Edgefield Jar 1850s with two // marks. The jar is a outstanding size which is very scarce to find in two gallons, most of ...The Old Edgefield District potteries (which extended across the boundaries of several counties in South Carolina today, including Edgefield) grew strong in part because of natural resources particular to that locale, but also because white manufacturers exploited the unpaid labor of enslaved African men, women, and children originally brought to...Edgefield pottery is specific to the factories it was created in and the communities that crafted it. Known for earthy brown alkaline-glazed tones, the pottery was produced on a mass scale and distributed throughout the United States. Much like Tupperware in people’s cupboards in recent decades, Edgefield stoneware was often used for utility.SUNNY VALE EDGEFIELD CHURNI purchased this Churn at a pottery auction from Farmer's Auction in SC . They refered to it as Sunny Vale out of edgefield. I understand this to be later dated edgefield pot

district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X …The term “Edgefield pottery” is used to identify alkaline-glazed stoneware first produced in Edgefield District in the 1810s. Edgefield pottery blends the cultural …A few examples of appraisal values forEDGEFIELD STONEWARE POTTERY. Search our price guide for your own treasures. A Rare North or South Carolina “Colored Republicing Club” Stoneware Cooler Dated July 7, 1892 in Southern alkaline glaze, with distinctive doubled collared rim, tooled body, two lug handles set low on the body of the jar and the ...Like many ceramic works, pieces from Haeger Potteries can be identified through distinctive marks and characteristics, including the name of the manufacturer. A model number might ...Mark M. Newell A Spectacular Find at the Joseph Gregory Baynham Pottery Site. In the fall of 1997, the Georgia Archaeological Institute (GAI) in Augusta began the second phase of a program to reevaluate certain nineteenth-century pottery sites within South Carolina’s Old Edgefield District.

The birthplace of Southeastern Stoneware? Some is considered a "non-translucent porcelain" and rings when struck (see great and noblr jar ch1p3 for more detail). Regarding handles: "Most early Edgefield District potters used strap handles that were rounded in cross section. One exception to this rule was Edgefield potter Thomas Chandler. Chandler used a thinner, ribbed handle that is roughly ... Her monumental piece Jug (2021–22, courtesy of the artist and Matthew Marks Gallery, New York) disrupts the idea that large-scale sculpture is mostly the province of male artists. Leigh looked to an Edgefield jug as a model but used the form as a canvas to display the cowrie shell, an object associated with trade and commerce throughout the ...An 1858 stoneware churn inscribed by David Drake, a slave potter in Edgefield, S.C. Charlton Hall Galleries. “You can see the markings where his hands, his fingers, were in there,” said Mark ...A pottery mark is a stamp, logo, or signature on a piece of pottery or porcelain. Pottery marks can be found on the bottom of a piece and used to identify the maker, the country of manufacture, and sometimes the date it was made. A few makers used paper labels instead of pottery marks, but these can be tricky to identify.

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One of the most well-known Delft pottery marks is the “De Porceleyne Fles” mark, which translates to “The Porcelain Bottle.”. This mark was used by the Royal Delft factory, which was established in 1653 and is still in operation today. The mark features a crowned bottle with the initials “PF” on either side. Edgefield pottery jar, ovoid with mottled alkaline glaze, notched rim (under glaze), shoulder with two large circular impressed marks with three smaller dots (attributed to Dave the Slave, 1780-1866), 13-1/4 in. Several star cracks, small rim crack, traces of earlier blue paint, one small rim crack, firing and glaze flaws as made. Storage jar, Trapp and Chandler Pottery, Edgefield District, South Carolina, 1848–1850. Alkaline-glazed stoneware. H. 11 1/2". Impressed mark: “TRAPP & CHANDLER” (Courtesy, L. C. Lynch; photo, Jan Todd.) By 1848 Chandler was using draped lines with loops beneath, in iron or kaolin slip, as his primary decorative motif.Sep 14, 2014 · In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers, including a man named Dave, who probably served as a turner. Edgefield pottery: Rare "Mark" frag. This is a sherd from a quart beehive jug, made by Mark Baynham at his fathers pottery at Trenton, SC ca 1880. The stamp is one of the later ones used by mark Baynh...from 1057918293Edgefield pottery jar, ovoid with mottled alkaline glaze, notched rim (under glaze), shoulder with two large circular impressed marks with three smaller dots (attributed to Dave the Slave, 1780-1866), 13-1/4 in.

S.C. Encyclopedia | The term “Edgefield pottery” is used to identify alkaline-glazed stoneware first produced in Edgefield District in the 1810s. Edgefield pottery blends the cultural traditions of England, Europe, Asia, and Africa. Many of the potters came from English, Irish, and German backgrounds and contributed their forms and ...This is the working studio for Master Potter Justin Guy, who continues in the 200 year old tradition of making Edgefield Pottery. Local clay is turned on the wheel and fired in a wood-burning Groundhog Kiln. A small section of the studio is devoted to housing a wide-range of 19th and 20th century Edgefield Pottery, which is the inspiration for Justin’s work today.Her monumental piece Jug (2021–22, courtesy of the artist and Matthew Marks Gallery, New York) disrupts the idea that large-scale sculpture is mostly the province of male artists. Leigh looked to an Edgefield jug as a model but used the form as a canvas to display the cowrie shell, an object associated with trade and commerce throughout the ... Edgefield Pottery BF Landrum Jug 1 1/2 Gallon South Carolina Stoneware. It has one small flake on rim. Perfect other than that. Please look at all photos. The item “Edgefield Pottery BF Landrum Jug 1 1/2 Gallon South Carolina Stoneware” is in sale since Wednesday, September 23, 2020. This item is in the category “Antiques\Decorative […] Thank you for bringing this exhibition to us! Nov 11, 2023. Discover the rich history and exquisite artistry of Edgefield, South Carolina's folk pottery with Stoneware Stories exhibition organized by La Historia Society. Explore the unique traditions, techniques, and cultural significance of Edgefield's pottery heritage.The term “Edgefield pottery” is used to identify alkaline-glazed stoneware first produced in Edgefield District in the 1810s. Edgefield pottery blends the cultural …Fennell, Christopher (2011). "Literate Inversions and Cultural Metaphors in Edgefield Stoneware," in "Crosses to Bear: Cross Marks as African Symbols in Southern Pottery," thematic forum of articles edited by Charles R. Ewen.Historical Archaeology 45(2): 156-162. Ferguson, Leland G. (2011).Focusing on the work of Black potters in the 19th-century American South, this landmark exhibition presents approximately 60 ceramic objects from Old Edgefield District, South Carolina, a center of stoneware production in the decades before the Civil War, together with contemporary responses. “Hear Me Now” tells a story about art and ...J. G. Baynham was a Virginia native who opened a pottery in the Edgefield District in 1865 (Baldwin 1993:11–114; Newell 2002). He was not a potter, leaving the work to his sons Mark and Horace. Mark moved to North Augusta and opened the South Carolina Pottery in 1910.ABSTRACT Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes. However, Edgefield stoneware also includes symbols …All of Cross"-African Potters, Marks, and Meanings in the Folk Pottery of the Edgefield District, South Carolina. June 2011. Historical Archaeology 45 (2):134-155. …

More often, pottery in Edgefield bore the stamped mark of an operation’s white owner but not the names of Black artists. Drake hand carved such a mark onto this jar by adding the initials “LM” of his enslaver at the time, Lewis Miles, alongside the date on which the jar was made, November 9, 1860. Carving his own name boldly beneath this ...

district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X and slashes.MARKS. If a piece of pottery is marked and you know whose mark it is, you can attribute the age of the pot to sometime during that potter's (or pottery's) ...Jun 15, 2023 · district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X and slashes. district that developed around Edgefield, South Carolina. Enslaved African Americans worked as potters at several of the Edgefield shops, and the most renowned potter of the district was an enslaved African American named Dave, who incorpo rated poetic verse onto some of the pottery he made, as well as other marks including an X and slashes.Feb 7, 2024 ... In the early 1800s, people living in the Edgefield region of South Carolina took advantage of this natural resource to become a major hub for ...Lewis Miles Pottery, Edgefield, South Carolina stoneware pottery jar with an olive colored alkaline glaze, ovoid form with two lug handles, deep incised initial signature on the shoulder "L. M." and dated March 12, 1857 below the rim with four additional punch marks (denoting capacity) and two incised slash marks to the left of the initials. 13 ...This article examines the histories of stoneware pottery production facilities in Edgefield, South Carolina, and the roles of European Americans and African Americans as entrepreneurs, artisans, and laborers in those potteries in the period of 1790–1900. Based on exhaustive analysis of documentary sources, the authors present a comprehensive ...

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Her monumental piece Jug (2021–22, courtesy of the artist and Matthew Marks Gallery, New York) disrupts the idea that large-scale sculpture is mostly the province of male artists. Leigh looked to an Edgefield jug as a model but used the form as a canvas to display the cowrie shell, an object associated with trade and commerce throughout the ...Mark Newell. David Drake (1800–1874) was an influential African American ceramic artist, enslaved from birth under the pottery -making families of Edgefield, South Carolina. Also known as Dave the Potter, Dave Pottery, Dave the Slave, or Dave of the Hive, he is known to have had several different enslavers during his lifetime, including ... Old Edgefield Pottery, 230 Simkins St., Edgefield, (803) 637-2060. Hours are Tuesday-Saturday, 10 a.m. to 5 p.m. Visit Steve Farrell's studio and learn about the history of Edgefield Pottery and the Heritage Corridor. Catawba Cultural Center, 1536 Tom Stevens Road, Rock Hill, (803) 328-2427. There’s nothing like a good cup of coffee, especially when you’re drinking it out of your own custom ceramic coffee mug. Ceramics classes can teach you how to make creations with a...Come closer and you see the wild runs of alkaline glaze up and down the surface, and some revealing marks by the artist known as Dave the Potter or David …The fifth edition of a guide to pottery and porcelain marks which was first published in 1959. The book has 20 sections covering all marks known in Britain and ...Stamped marks: These marks are impressed or stamped into the clay before firing. They can be raised or indented and often include the name or initials of the artist or manufacturer. 2. Painted marks: These marks are painted onto the surface of the pottery using special ceramic glazes or pigments.Early Edgefield 1 gallon jug likely from Rev. John Landrum site or Pottersville. No chips cracks or repairs. The surface of the glaze appears underfired or speckled as can be seen in the pics. NarrowDr. Abner Landrum is credited with establishing the Edgefield Pottery tradition in the first decade of the 1800’s. Using local materials and his extensive knowledge, he began to produce a fine stoneware that was food safe and could be sold to markets up to 150 miles away. From this origin, dozens of other potteries sprang up across Edgefield ...1. Edgefield pottery is known for its distinctive alkaline glaze, which gives the pieces a greenish-brown color. This glaze was made from a mixture of ash, clay, and other local materials. 2. One way to identify genuine Edgefield pottery is by looking for the mark of the potter.Dave the Potter (born c. 1800, probably United States—died 1870s, Edgefield, South Carolina ?) was an American potter and poet who, while a slave in South Carolina, produced enormous stoneware pots, many of which he signed with his first name and inscribed with original poetic verses. Definitive information about Dave’s life is scarce.My Old Edgefield-style pottery is made in the same tradion as the originals -- using locally-dug clays, which are hand-turned, then ash-glazed, then fired in a typical wood-fired southern groundhog kiln. My work is 100% authentic. For your convenience, I've re-posted all of my informative Old Canal Pottery Blogs at my new site, Dexter Pottery ... ….

May 31, 2012 · Just three weeks ago, a pot linked to Dave, a literate slave whose technique and tendency to write poetry on his wares made him a superstar of Edgefield pottery, sold for $30,000 at auction. Other pieces, including one acquired for $185,000 by the High Museum of Art in Atlanta, are selling for even more. The price spike is part history and part ... Sep 14, 2014 · Marks and Decorations at the John Landrum Pottery Site. Paperback – September 14, 2014. In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers ... Mark M. Newell A Spectacular Find at the Joseph Gregory Baynham Pottery Site. In the fall of 1997, the Georgia Archaeological Institute (GAI) in Augusta began the second phase of a program to reevaluate certain nineteenth-century pottery sites within South Carolina’s Old Edgefield District. Are you looking for the top best edgefield pottery marks 2024? We’ll show you helpful reviews and comparisons, so it’s easy to choose. In a world where there are endless choices and overwhelming amounts of information, it can be difficult to know which edgefield pottery marks ABSTRACT Alkaline-glazed stoneware developed in the Edgefield District of South Carolina in the early nineteenth century and employed a range of decorations and marks that drew from European ceramic traditions and reflected pottery factory owner’s preferences, styles, and tastes. However, Edgefield stoneware also includes symbols …Instant price guides to discover the market value for EDGEFIELD POTTERY. Research the worth of your items without sending photos or descriptions Pricing Guides & Dictionary …This article looks at African American potters and Edgefield District pottery, Landrum crosses and Dave’s X, and other Afri-can American marks, in an attempt to interpret the …Edgefield pottery jar, ovoid with mottled alkaline glaze, notched rim (under glaze), shoulder with two large circular impressed marks with three smaller dots (attributed to Dave the Slave, 1780-1866), 13-1/4 in.Source eBay. William F. Hahn (1861-1908), potter from Edgefield County of South Carolina, contributed to the continuation of a great pottery tradition began earlier in the 19th century by the Landrum, Chandler, and Rhodes families. He was documented as to owning two potteries, one in Trenton, and the other in North Augusta, SC. Edgefield pottery marks, [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1], [text-1-1]